Knitting Daily with Sandi » The Basics of Blocking, Part Two

The Basics of Blocking, Part Two

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Ready to block!

On Wednesday, we began our Adventure in Blocking with a review of the basic tools and preparations you need to make before you get started. Now that you have everything gathered together, and now that you have experimented with blocking your swatch (and of course, you would never, ever skip the swatching step, right? Of course not.), we can forge ahead with the actual blocking! We ended with Step 4 last time, so next is Step 5.

Step 5: If you are going to wet your knitting using the immersion method or the roll-in-wet-towels method, do it now. Immersion method: Soak the knitting in lukewarm water for about 20 minutes to let the water fully permeate the fibers. Squeeze gently. Never, ever twist, wring, or otherwise be rough with your knitting (unless, of course, what you want is a nice felted sweater!). Roll in dry towels to remove excess moisture (some people use the spin cycle of their washer, but this is for braver hearts than mine). Rolling-in-wet-towels method: Pretty much just as it sounds. Wet a large towel, wring out excess moisture, lay it flat with your knitting on top, and roll it up like a big wet jelly-roll-with-knitted-filling. Let it sit until the knitting inside is completely damp (this might take several hours). Steaming and spraying folks: Read on. Your turn comes later.


Shape garment from the center outwards

Step 6: Start pinning. Starting from the center and working outwards, smooth your knitting out to the approximate measurements, and start placing pins at wide intervals. What do you mean, start at the center? For the Bonsai Tunic, I started at the ribbed waistband (see note below about blocking ribbing!). I patted the upper back into place and pinned the center neck, then working again from the ribbed waist, smoothed out towards the armholes and pinned those. Then I did the same with the lower half, always working from the center waist downwards.

Step 7: Measure and re-pin as necessary to shape your garment more accurately. This is where the fun starts, particularly for all of us OCD knitters. Measure, pin, repeat. Use the schematic or finished measurements as a guide. How much can I stretch my knitting to obey me? Depends on the yarn, the gauge, and the garment. For most lace shawls, you can stretch it out to the fullest extent the stitches will reach. For all knitting, keep in mind that if you pull in one direction, your knitting will shorten in another direction to compensate. Try to keep the overall proportions correct and don't forget to allow for things like negative ease, texture, and how the stitches look.


Don't stretch out the ribbing!

Special note about blocking ribbing: See the photo of the waist ribbing on my Bonsai? Notice that it is NOT stretched out at all. I actually compressed it a bit, patting it evenly into place, and leaving most of it unpinned. (In contrast, I pinned the heck out of the lace skirt.) This will allow the ribbing to maintain its elasticity and shape.

Step 8: If you are a steamer or a sprayer, it's your turn now! Starting (again) at the center of the garment, carefully steam or spray the knitting, patting it with your hand to gauge the amount of moisture as you go. (Use caution with the hot steam, and maybe wait a second after applying the steam to let things cool a bit. Don't burn yourself! Burns might get in the way of casting on your next project.) Make sure to spray/steam your piece evenly so all parts of it absorb the same amount of water (and in the case of steaming, heat).

Step 9: Let dry thoroughly. Do not bother your knitting whilst it is drying. Leave it alone, close the door, keep your cats and overly-helpful roommates away. The impatient amongst you may use a fan to help the process along. If you really must use a blow dryer, remember that a blow dryer adds heat to the equation and consider carefully if heat is appropriate to your particular blocking situation.


Each star marks a pin

Final and most important step: Un-pin, and admire the beautiful drape, the awesome workmanship, and lovely stitches that comprise your knitting.

As I was taking the photos for this post, I realized that some folks might want a clearer photo of exactly where I placed the pins. I quickly discovered that the little silvery pin dudes wouldn't show up in the photos, so I dug around in the supply closet (I'm blocking this in a spare office at work, because I have four very helpful Assistant Felines at home) until I found some glittery foil stars. See the photo? Voila! Each star marks a pin location. Note that there are no stars at all in the ribbed waist section, but there are stars all over the lace skirt.
Pinning out the lace pattern
I placed one pin near the top yarnover of each lace repeat, in the decrease immediately adjoining. For lace patterns, I like to place pins in the center of an ssk or k2tog, as those are the strongest parts of the knitting and thus less likely to distort. You can put pins in the yarnovers themselves, but be careful--you want the yarn to form a graceful "yarnover" and not an awkward "pointy-over!"




Questions, Questions...and some Answers!

Which wetting method did you use for the Bonsai? My yarn is Berroco Bonsai, an absolutely lovely bamboo ribbon yarn, with drape and a teeny, tiny bit of "crunch" that adds texture and memory. I blocked my swatch using my garment steamer (I LOVE my garment steamer), but I wasn't thrilled with the results. The heat seemed to take away a bit of the sheen of this lovely yarn. So for the back of my tunic, I used the spray method, and sprayed liberally until the fabric was quite damp. I was really happy with how it came out. REMEMBER: You might prefer how your garment looks when steam-blocked! It's YOUR knitting, not mine. Experiment to find a way that works for you.

Do you block acrylic and other non-sheepy, non-planty fibers? I've heard blocking kills them! What kills acrylic and some other human-made fibers is direct application of heat. So: Don't iron them. (If you must apply steam, keep the iron or steamer high enough above the fabric so you don't melt or scorch the yarn.)

But Sandi, tell us the ANSWER: Do you NEED to block acrylic? Welllll. Here's where I have to make an admission. I have not knit with acrylic yarn since I was a teenager, so I don't actually have any personal experience with this. What I do know is that many experienced knitters say you don't need to block acrylic. Given that, and given that I believe deep in my knitter's heart that blocking has miraculous results, if I were to knit something out of acrylic (or any other unfamiliar fiber, for that matter), I would knit five swatches--yes, five--and then try a different blocking method on each one: immersion, steam, spray, jelly-roll-of-wet-towels, and no blocking at all. I might use pins on one or two, and just pat out the others. After they dried, I would evaluate the look, feel, and drape of each swatch. The swatch I liked best would be my guide for blocking the finished garment.

That said...there are plenty of you out there in Knitting Daily Land who have tons of experience knitting with acrylic. So, let's turn it over to the commenters: What is your opinion on blocking human-made fibers?





Sandi Wiseheart is the editor of Knitting Daily.

What's on Sandi's needles today? The front of the Bonsai Tunic by Norah Gaughan.




Posted Jul 27 2007, 12:00 AM by KD Sandi

Comments

RosiG wrote re: The Basics of Blocking, Part Two
on Fri, Jul 27 2007 3:32 PM
I've bought numerous steamers in the past and cannot find a really good one. You say you love yours so much, I would love to know what brand/type you have so that I can look into it. Thanks in advance! Rosi G. aka The Soapy Knitter
MargJ wrote re: The Basics of Blocking, Part Two
on Fri, Jul 27 2007 3:41 PM
Blocking man-made fibres is a waste of good knitting time. If the knit item doesn't immediately spring back when the pins are removed it will when it is washed.
RitaW wrote re: The Basics of Blocking, Part Two
on Fri, Jul 27 2007 3:49 PM
I am impressed by the sheer number of pins in the lace pattern! Having never used pins that way - I just pat the item out to size and pin around the edges, I have to ask if this many pins has an advantage or is it just OCD behavior (like knitting 5 swatches)?
KatherineH wrote re: The Basics of Blocking, Part Two
on Fri, Jul 27 2007 3:53 PM
Re: blocking man-made fibres... I know this is heresy in many knitting circles, but I rarely block /anything/, be it man-made, natural, or somewhere in between. My only exception is lace shawls, and even then I block pretty lightly. Blocking is always touted as being the cure for "uneven stitches" and to give your knitting "a more professional look". If your knitting is pretty even to begin with, you don't need to block. Don't just take it from me: my grandmother never blocked a thing in her life, and she learned how to knit in school.

Try blocking something, then not blocking a similar something from the same yarn before you finish them. If you can't tell the difference after a couple of wears, you don't need to block.
MiekeV wrote re: The Basics of Blocking, Part Two
on Fri, Jul 27 2007 3:53 PM
Hi Sandi,
Help! I have always problems with edge-stitches. Are there different ones? Which do I use and when???
Thanks, Mieke
StephanieB wrote re: The Basics of Blocking, Part Two
on Fri, Jul 27 2007 3:57 PM
Thank you so much for this thorough guide! I've learned so much, and
this will make my further projects easier to deal with! (Though I do
wish I had a real blocking board!)

But I am still left with one question: how do you block more "3D"
projects, for example the Mermaid Scarf (which I'm currently completing,
now that I've figured out how the second layer is meant to be done!)? If
both layers are laid flat, won't the second layer look too stiff and get
"stuck" on one side or another?
KariS wrote re: The Basics of Blocking, Part Two
on Fri, Jul 27 2007 4:03 PM
I've been knitting with acrylic for school project (I just finished a fiber BFA) because I am a cheap and poor student, and found that blocking them really helped before putting together. I usually steam and have a decent iron that puts out a bit and worked well about 1" above my work. But once I washed the whole thing and blocked them dry and that worked almost as well (except it requires a trip to the laudromat and quarters :-)
KarenM wrote re: The Basics of Blocking, Part Two
on Fri, Jul 27 2007 4:07 PM
The thing about blocking acylic and man mades is that they do have pretty significant memeory, meaning once blocked, they are likely to go back to whatever shape they were pre blocking if washed. Knit lace shawls and acrylics will never work, severely blocked acrylic will always look like pre blocked wool or silk lace. One exceptional reason to block acrylic knitting is to even out stitch anomolies, that said, the easiest way to accomplish this is to just wash it. A good spin does acrylic items (afghans, etc) a world of good and will soften them TREMENDOUSLY. Drying pills acrylic though, so hang (or lay flat) to dry.
Acrylic is far better suited to crochet where the stitches themselves whip it into a pretty controlled shape.
JenniferP wrote re: The Basics of Blocking, Part Two
on Fri, Jul 27 2007 4:24 PM
Hmmm...I'm really not sure about blocking acrylic, because I have never tried, and I knit with mostly natural fibers and/or wool blends. I don't see why you would need to block it as far as making the stitches more even, because acrylic has a certain elasticity that keeps the stitches in shape. However, I think that it would make scratchy acrylics softer...

Check out this link about blocking acrylic: http://yarngear.blogspot.com/2005_08_01_archive.html
Imaknitter wrote re: The Basics of Blocking, Part Two
on Fri, Jul 27 2007 4:25 PM
I have not knit with acrylics since I started hand knitting (which I now do exclusively), but back when I was a machine knitter I used a LOT of acrylics. They were mainly acrylic/nylon blends, but I found I got my best results with blocking the final product. Everything I blocked held its shape even after washing, however I do have to say that in many instances I "killed" the knitted pieces but still got beautiful results. I was taught to do this by a machine knitter who turned out exquisite garments. I was very careful with anything with texture, though, as it was very easy to ruin.
BethR wrote re: The Basics of Blocking, Part Two
on Fri, Jul 27 2007 4:28 PM
Re: Blocking Acrylic

It depends. If the item is a closed stitch (garter, basketweave, etc.) then I'll wash it, lay it out and pat it into shape.

If it's lace, I'll wash it, block it like wool--stretch the bejabbers out of it--and then "kill" it with a stean iron. Killing adds drape, so if I want a slinky, rayon-like hand minus the handwashing and continual growth, I'll knit acrylic and kill it.

Spike
DawnS wrote re: The Basics of Blocking, Part Two
on Fri, Jul 27 2007 4:59 PM
Intermediate knitter here -- and brand new to Knitting Daily. I have a question -- will it be necessary to block my knitted item after each time it is washed? Otherwise, how will it maintain its shape?
CharleneM wrote re: The Basics of Blocking, Part Two
on Fri, Jul 27 2007 5:34 PM
I love the blocking mini series,its been quite helpful and Yes, I work with lots of man made fibers. I knit and crochet for family, friend and pets.My sisters are both fiber sensitive and so no wool. I personaly block and don't block, it depends on the article and Never Steam. I'll block if I have motifs that need to be consistant in shape and size or a seam that needs encouragemant.Always for anything in cotton or cotton blend, especially doillies. I usually experiment with a guage swatch, I usually make several for just this reason and when I get enough of the I'll combine them for a blankie for someone, dolls or a pet. Blocking is done about the same using the spray method and I use long, headed silk basting pins so I never loose one to the fibers.
ConnieM wrote re: The Basics of Blocking, Part Two
on Fri, Jul 27 2007 5:42 PM
I'll admit to having knitted lacy scarves in man-made fibers and then "killing" them with a steam iron. The resulting product drapes and softens like magic. You have to be very careful to avoid excess heat which results in hard, melted or scorched fabric. I've been known to block narrow, lacy wool or acrylic scarves with a steam iron also with good results but it requires nerves and concentration.
Connie
PatriciaS wrote re: The Basics of Blocking, Part Two
on Fri, Jul 27 2007 5:47 PM
I recently knitted a few blocks for an online afghan project. They were acrylic. I used the steam method and they came out very nice. I needed them to be a specific dimension so blocking was necessary in this case.

I am also crocheting with acrylic now for another project, I am not blocking these squares because to me they look fine without blocking. So different acrylic projects have different blocking requirements.
Erica wrote re: The Basics of Blocking, Part Two
on Fri, Jul 27 2007 6:18 PM
When I made a blanket using an acrylic/wool blend (Encore), blocking made the blanket look so much better. I almost always immerse my knitted items because then I know that I'm getting all of the dyes out before they are worn or used, especially for baby items. For the blanket, the immersion method was wonderful and it really made the wool puff in a way that I didn't expect. The blocked blanket looked even better than the newly finished blanket.
JaneB wrote re: The Basics of Blocking, Part Two
on Fri, Jul 27 2007 6:31 PM
RE: blocking acrylic... On the rare occasions I have used acrylic yarn, I toss it in the washer and wash and dry it as the care label directs.
~jane
MargeD wrote re: The Basics of Blocking, Part Two
on Fri, Jul 27 2007 6:43 PM
Who knew blocking would be such a riveting concept! I have to admit to hardly ever blocking and, now that I'm reading your series, never blocking correctly. My question is, do I need to block the socks I'm knitting with bamboo yarn? I've been told there are no stupid questions. Marge D.
Knittinmama wrote re: The Basics of Blocking, Part Two
on Fri, Jul 27 2007 7:08 PM
Acrylic? I just pat it out. I used to knit lots of baby things in acrylic because its easy care. However I really appreciate your detailed instructions on blocking, especially lace as I'm working on a very lacy piece right now and want it to look perfect when finished
LindaW wrote re: The Basics of Blocking, Part Two
on Fri, Jul 27 2007 7:19 PM
Dawn S (earlier commenter) could be me! Intermediate knitter
MarieG wrote re: The Basics of Blocking, Part Two
on Fri, Jul 27 2007 7:48 PM
Would you believe 26 grandchildren - Over the years lots of acrylic and blends for easy care. I put it on a towel - spray about medium amount place another towel on top and pat vigorously - makes a big difference in the finished look - downright professional! Marie G.
Linnette M. Garber wrote re: The Basics of Blocking, Part Two
on Fri, Jul 27 2007 8:20 PM
I am known in my group as the anti blocker. I even submitted a garment to the Orange County Fair that had no blocking, and won 3rd prize! (Imagine if i HAD blocked it!) but anyway, I did not block the bonsai tunic and I think it looks great, the yarn is shiny and the eyelets look real and not pressed down. I like texture and think that blocking can reduce the texture.
Elizal wrote re: The Basics of Blocking, Part Two
on Fri, Jul 27 2007 8:34 PM
I'm from the "iron everything" generation, so I block acrylic
yarn with the steam from my iron.........I think it gives a more finished look.......
DeannaN wrote re: The Basics of Blocking, Part Two
on Fri, Jul 27 2007 8:35 PM
Sandi, I'm thrilled to be following your posts and the blocking techniques were well timed since I'm at that point in a sweater I'm making for my son. The major pieces are complete and I need to block and assemble before I finish the neck. But then I read that for the ribbing you didn't pin. Thw entire sweater I just knit is in 3/5 ribbing! How do I block if the entire garment is ribbed?

Waiting on pins and needles,
Deanna Nielson
North Hollywood, CA
KayA wrote re: The Basics of Blocking, Part Two
on Fri, Jul 27 2007 8:37 PM
I've blocked acrylic baby sweaters, but only because it makes seaming so much neater and easier. For the most part they go right back to their pre-blocked dimensions after washing, but it does let me seam in a flash.

[... But you're talking to someone who blocks everything. Including dishcloths if they're going to be given away.]
AnnaM wrote re: The Basics of Blocking, Part Two
on Fri, Jul 27 2007 9:31 PM
Blocking not only ensures that the knitting is the best shape it can be for my size, it makes it look much more finished and classy. In fact, After I have finished the garment completely, if it is OK for the yarn, I steam the seams open, and groom the edge finishes and joins so that it looks like a beautifully finished garment . To be honest, I am sometimes aghast at how some pattern samples are displayed "as is," all rumpled and stitches uneven in one or two yarn catalogues. Blocking and final steaming (if appropriate), evens out stitches and everything looks first class.
AnnaM wrote re: The Basics of Blocking, Part Two
on Fri, Jul 27 2007 9:38 PM
Maybe I should add that by "steaming" I mean having the garment flat, and holding the steam iron or steamer above the fabric, using my hands or fingers lightly to move or smooth the fabric.
To Deanna from CA, I'd say lay your lovely ribbed piece flat, and steam(s in my above post,)but don't touch it or move it! Let it dry as is. The steam will "dress" the ribbing, fluff the yarn, even the stitches, and work other miracles. Best wishes, Anna
LeeannW wrote re: The Basics of Blocking, Part Two
on Fri, Jul 27 2007 11:02 PM
years ago i worked for a wonderful swedish lady who had studied all aspects of textiles in a special school in sweden...in fact stanley marcus brought her over to work at neiman marcus downtown in dallas.....anyway, she always pinned knitted pieces down with t pins to a padded surface and just steamed the heck out of them...things came out of that shop looking perfect and never never homemade...leeann walser
KathyC wrote re: The Basics of Blocking, Part Two
on Sat, Jul 28 2007 12:16 AM
For baby stuff, I usually use acrylic or washable wool. Mostly, I don't bother with blocking anything acrylic. However, I just finished an acrylic baby blanket with bands of stockinette and reverse-stockinette, and it bunched up more than I wanted it to. Experimentation with a swatch convinced me that careful application of steam would work. 1st time, pinned out, light steam wasn't enough and when I unpinned it, the blanket went right back to bunchy. 2nd time with both steam and light pressure (oh, and a damp press cloth), "killed" the fabric so it draped and looked terrific. So I guess it depends on the look you want. Swatch and experiment!
JanO wrote re: The Basics of Blocking, Part Two
on Sat, Jul 28 2007 12:42 AM
I am really enjoying your blocking tutorial, but I have what is possibly a really dumb question. Seeing how the process is done, I'm wondering if one has to block something every time it is washed? I assume not everybody knows how to block their wool garments, so how is this handled after the initial blocking is done?
SofiaT wrote re: The Basics of Blocking, Part Two
on Sat, Jul 28 2007 1:37 AM
I am fascinated by all this blocking stuff (intermediate knitter here too)but I still have some doubts. For example, since I don't plan on getting all my knits dry cleaned, I will have to hand wash them. In that case, do I have to do all this pinning every time I wash a garment? And if so, what would be the point of just steaming it or such the first time if I have to hand wash it later?
MaryG wrote re: The Basics of Blocking, Part Two
on Sat, Jul 28 2007 1:49 AM
Talking about blocking acrylic reminded me of a blog I read about felting acrylic. http://www.islandofmisfitpatterns.com/2006/07/11/how-to-felt-with-acrylic/. It is a hoot
MaryG wrote re: The Basics of Blocking, Part Two
on Sat, Jul 28 2007 1:56 AM
All this talk about blocking acrylics made me think of a blog that was about felting acrylic! It is a hoot
http://www.islandofmisfitpatterns.com/2006/07/11/how-to-felt-with-acrylic/
JulieP wrote re: The Basics of Blocking, Part Two
on Sat, Jul 28 2007 10:51 AM
This is such a great article! I've been knitting for 13 years and never really knew how...
JoanC wrote re: The Basics of Blocking, Part Two
on Sat, Jul 28 2007 11:18 AM
On blocking acrylic, I have found such yarns as Red Heart and Caron One Pound to be quite stiff. So,if it's a hat, I do not block. If it's an afghan, especially one made of joined squares, blocking it softens the yarn and eases the seams to make a beautiful draping blanket. I use a fluffy terricloth towel and lighlty press down the iron without dragging for just a second.
AnnaM wrote re: The Basics of Blocking, Part Two
on Sat, Jul 28 2007 2:40 PM
I just had to tell you how my beloved
scottish mother-in-law dealt with sweaters after they were washed (she was an urban Scot, from Glasgow, This high-tech method is from the 1960's). After spinning (if you had a spin-dryer,) or rolling it in a towel and tramping on it, You spread brown paper under a corner of the carpet in a high traffic area, and laid out the sweater, covered it with more brown paper, put the rug back, and left it to be walked on for a day or two. It was flat looked great! And we think we know everything!
NowakL wrote re: The Basics of Blocking, Part Two
on Sat, Jul 28 2007 4:04 PM
I recently took a finishing class locally and they recommended not blocking the pieces before assembling. She had us complete the project and then soak the completed project in cold water and Eucalan and then block it until dry as a finished garment. I tried this with a bamboo cabled camisole and it is so stretched out and too big I have to tear it all out and start over. I completed a cotton ribbed halter and it seems ok. Suggestions?
Huberwasoo wrote re: The Basics of Blocking, Part Two
on Sat, Jul 28 2007 7:12 PM
I, too, have not worked with acrylic yarns for some time, at least since I became a spinner. However, I always liked the immersion, followed by the jelly-roll with a LITTLE pressure to push SOME water out, and then a good yank in every direction, to pull it into the shape I wanted. Finally, I just tweaked it into place on the living room floor, and let it dry on its own. Then, I think. . . "I'm going back to working with wool . . ."
SarahO wrote re: The Basics of Blocking, Part Two
on Sat, Jul 28 2007 8:37 PM
So what happens when you wash the item? Do you have to block it again? Sarah
ElanorS wrote re: The Basics of Blocking, Part Two
on Sat, Jul 28 2007 10:53 PM
I love reading the comments here! They're always so helpful. ^_^ I'm starting to wish we had a forum though... Sometimes I think I miss stuff in all these hundreds of comments...
Teresa F wrote re: The Basics of Blocking, Part Two
on Sun, Jul 29 2007 10:38 AM
A forum would be nice . . . .
Teresa F wrote re: The Basics of Blocking, Part Two
on Sun, Jul 29 2007 10:38 AM
And, can someone tell me how to block socks with lacework?
JanO wrote re: The Basics of Blocking, Part Two
on Sun, Jul 29 2007 2:41 PM
Anna M. - Loved your grandmother's blocking technique! Necessity is the mother of invention...
RainyK wrote re: The Basics of Blocking, Part Two
on Sun, Jul 29 2007 11:04 PM
Just keep in mind that acrylic yarn is plastic. Too much heat, even from steam, will melt it. Acrylic yarn has "bounce back" fibers. Unless you kill it with steam, it will do just that and bounce back to it's original state. When using acrylic, it's best to knit it exactly the size and shape you want it to be.
JoanieB wrote re: The Basics of Blocking, Part Two
on Sun, Jul 29 2007 11:40 PM
I have a quick question about blocking steeked items. I am nearly finished with a colorwork vest that I knit entirely in the round. I have never used steeks before so I chose this as my first steeking project. I left vertical stripes down the sides and at the armholes for cutting when I'm finished. Would it be appropriate to cut the steeks, block and then sew them up? Or should I finish the whole garmet and then block?
Linda wrote re: The Basics of Blocking, Part Two
on Mon, Jul 30 2007 7:13 AM
Hi everyone....Iv'e been knitting for close to fifty years. Years ago I used more acrylics than now, but one thing you can say about acrylics is, it wares like iron. I still use acrylics or acrylic blends for family afghans and some children's clothing. As far as blocking goes. Acrylics do not block well, no matter the meathod, unless heat is applied, like with an iron, and then it's tricky business not to ruin and flatten your knitting. My experience says no blocking. For the most part acrylic and blends are made to wash and dry in the dryer. I have found that the dryer seems to make the fiber 'bounce back' to it's original spring and the color will even seem brighter. That's why it seems well suited for some things that take extra ware.
Linda, Burlington, Wi.
Joanne wrote re: The Basics of Blocking, Part Two
on Mon, Jul 30 2007 9:10 AM
I do alot of knitting for babies w/ good acrylics and they do not need blocking. I put the items in a lingerie bag and toss in the washer w/ like colors. If it's too smushed when the washer is done I shape it on top of the dryer and leave it til its dry. Otherwise I throw it in the dryer as well.
KathyC wrote re: The Basics of Blocking, Part Two
on Mon, Jul 30 2007 9:52 AM
Sandy - thank you so much for de-mystifying blocking for me. I am a fairly new knitter and the whole blocking issue is a bit scary to me. Your tips on where to place - or not to place - pins are excellent.
ElsaX wrote re: The Basics of Blocking, Part Two
on Mon, Jul 30 2007 10:39 AM
I don't block as a rule, but I'm not happy with a garment until I've washed it after wearing it a few times. And then I pat it into a better fitting shape if necessary. I must say that, compared to many pictures in knitting patterns, my knitting is quite even.
ClaudiaC wrote re: The Basics of Blocking, Part Two
on Mon, Jul 30 2007 11:33 AM
I use a combo method for many garments, especially heavy ones: I get the pieces wet (I normally don't soak them for more than a minute or so), and squeeze any excess water out. Then I roll them up in a dry towel (sometimes more than one, if the pieces are too large for one towel). I never layer two pieces: I want towel touching both sides of every piece. With large lace pieces that is not always feasible, but I do it whenever possible. The towel soaks up excess moisture and helps spread moisture evenly throughout the pieces. I try to block within an hour or two of rolling it. I leave each piece rolled up until I am ready to block it. The pieces have enough moisture to be blocked easily, but not so much that it takes forever to dry (especially important for cottons and linens I find). I block all of my projects (except some scarves and some baby items, depending on the design). I find blocking pieces rather than an assembled product leads to a more polished end product. I'm also a big fan of blocking wires, as they help eliminate pinning "points".
EllenD wrote re: The Basics of Blocking, Part Two
on Mon, Jul 30 2007 12:04 PM
I never block, regardless of the fiber, style, colorwork, texturework, nada. At best I wash and dry flat. I have never noticed a problem as compared with commercial garments or others' blocked handknits.
WendyH wrote re: The Basics of Blocking, Part Two
on Mon, Jul 30 2007 12:25 PM
I have not used acrylic for about 20 years. About five years ago, I started blocking my sweaters, hats, etc. made from wool and/or alpaca and really think it makes a difference. The garments just hang nicely afterwards. I do not block socks or mittens; however.
Clmd wrote re: The Basics of Blocking, Part Two
on Mon, Jul 30 2007 1:03 PM
Which is better blocking before you assemble a piece or after?
ZenaH wrote re: The Basics of Blocking, Part Two
on Mon, Jul 30 2007 1:17 PM
With acrylic, I pin out the dry piece to size. My board is covered with blanket, then cotton sheet. I set the iron to Steam and hold it 4-5" above the knitting,patting it by hand as I go and keeping the iron on the move. When thoroughly dry, unpin, voila!
Susan wrote re: The Basics of Blocking, Part Two
on Tue, Jul 31 2007 6:39 AM
I recently finished two baby ponchos using Red Heart Super Saver acrylic. After machine washing and drying them, the garter stitch hems rolled up. Using a steam iron, I carefully ironed them on the wrong side and they looked much better.
Sherry wrote re: The Basics of Blocking, Part Two
on Tue, Jul 31 2007 7:52 AM
I also do not knit with much acrylic however I do like to steam block small projects using my steam iron. I turn the project wrong side up and put a linen type dish towel over it before pressing with the steam iron. I have had good results with blocking.
PattiO wrote re: The Basics of Blocking, Part Two
on Tue, Jul 31 2007 10:27 AM
I never know what type of wetting method to use.. is it just personal preference, or are there some guidelines?
knittingbox@yahoo.com wrote re: The Basics of Blocking, Part Two
on Tue, Jul 31 2007 2:57 PM
I'm trying to knit the comfort shawl and the summer shawlette (same issue on both patterns). I've never knit the Farose shaping before and that's the part that's giving me trouble. The directions say "with the same side of the work facing you, rotate piece so selvedge at end of row just completed is uppermost. . . . " When I attempted to follow these directions I ended up with a long piece of yarn across the back -- as if it was a long yarn over. What was I supposed to do? (I just cheated and wove it in as I knit, but I'd like to know what I was supposed to do).

Thanks for your help!

Knittingbox AT yahoo DAHT com
JenniferP wrote re: The Basics of Blocking, Part Two
on Tue, Jul 31 2007 3:09 PM
Yes, I agree--a forum would be really nice, because I just designed a new pattern (a tank top for my Build-A-Bear), and I have no where really to post it because I am blogless. :-(